Thursday, September 17, 2015

Hush Mush...



Like an old photograph...
Tucked in a book,
Away from the prying eyes of the world,
You were my secret
And my scandal too,
Tucked in deep recesses of my heart.

Damn that morning,
When your enticing smile held my little finger...
And I tailed behind,
Following your ensnaring charm


I let you in,
To a secret place...
Where no one has ever been allowed,
Including myself;
my deepest darkest fears
my insecurities
my dreams.
You could see the halo
And the horns.
I stood stark naked,
In my full suit.
Stripped of any pretence,
Baring my soul.

You spoke about your multiple affairs...
You were my only one...
I smiled thinking...
I added another adventurous story
To your long list of 'charming men'. 
I smiled harder
Wondering if you found me charming?
Or if ours was an affair...
Or something remotely close
I realized I just stupidly complimented myself.

My curious little fingers...
Keyed into the maze of your wet tresses,
Sometimes slipping...sometimes entangled...
My palms cupped your gorgeous face,
My nose rubbing your nose pin...
Your soft skin turned red
Under my grip
Or was that acne?
A result of exciting thoughts?
Thoughts of you and me...
Part romantic, part kinky...

You smiled.
But your eyes didn't.
Those small little notorious marbles
Luminous yet so opaque...
Intriguing and misleading,
Damn those guarded holes...
Never letting a peek into your soul.

Your intoxicating kiss
That smelled of scotch
Got me addictive too...
To life!!

Thursday, September 4, 2014

Mary Kom

Mary kom

Rating- 2.5 stars

Last time Sanjay Leela Bhansali cast Priyanka Chopra in a film, she swayed and swung like a ribbon and sexily buttoned up her shirt. From gorgeous to grit, from sensuous to scars, Priyanka Chopra takes a full U turn and plays the titular role in the much talked about biopic Mary Kom.

On one hand it’s a good thing that filmmakers are trying to put these inspiring stories on celluloid, but soon they lose the plot in an effort to make them commercially viable.

Mangte Chungneijang Mary Kom is a poor farmer’s daughter with a collective temperament of a Sunny Deol and a Dolly Bindra. She has to or else how do you justify her choice of sports. See you can’t be a female boxer till you bash boys up and pick up fights on a daily basis. Fortunately the town coach (Narjit-human-angry-bird-Singh) channelizes her anger by training her and before you know (or her father) she is already the state champion. Then? Then nothing we move from one thunderous victory to another because the writer (Saiwyn Qadras) was either underpaid or felt lazy and decided to juxtapose Mary’s boxing matches back to back and clumsily string then all to make a very patchy first half of the movie.

It’s almost a gold mine for writers to deal with the story of an underdog who is a girl and is from Manipur. Alas they take the beaten path. Besides financial, social and political hardships they manipulate audiences by packing a few sexist and racist angles and then finally show the protagonist rise above and against all odds; a run on the mountains, pushups on some river, and pull-ups on trees and give the gym dodgers like us the guilt of a lifetime.

There is also a love story which is as simplistic as the movie. The boy meets the girl, is impressed, proposes to her as they down gol gappas together (awww how real) and the girl says yes because he is ‘cool’ with her boxing and 'permits' her to play even after their marriage.
Though Darshan Kumar plays Onler, Mary’s husband well who genuinely supports her and persuades her to follow her ring dreams after she has delivered her twin sons. This was one of the most heartwarming parts of the film and hopefully would bring the much required change in the man-wife relationship amongst Indian couples.

The film shows Mary Kom’s real struggles; like a pair of torn tattered shoes during her practice (awww so sad!) Once she is not even recognized by a young girl who claims to be her big fan. (Chi what kind of a fan is she, hmph?) Not only this, Mary’s labor lasted for hours till the doctors finally decided to go for a Caesarean section, the kind of struggle that err a lot of the women face worldwide. It’s this simplistic narrative that trivializes the inspiring sportsperson’s story and her real struggle.

The climax, like most of the film lacked a convincing crisis and hence it failed to inspire. I wonder how much the ending of the film was fictionalized because it showed Mary struggling against an unforgiving German boxer in the ring as she fought a grave battle on the personal front. Hence you have the obvious montages of shots from her personal and professional life (like in Bhag Milkha Bhag) and ending into a national anthem to ensure that you wake up and stand if you have fallen asleep.

Priyanka-I-am-sure-getting-either-a-national-award-or-Padma-Shree-if-not-Bhushan-Chopra is herself. She is ‘ACTING’ which includes giggling, sulking, getting angry, looking serious, and trying her best to show she is portraying the second most important role of her life, of course after Babli Badmash! She clearly has trained hard to come close to Mary's physicality but doesn't quite own her life. She mixes her 'f' and 'ph' in name of getting the diction right. Expect a lot of 'Ph'ocus 'ph'acility abd 'ph'orce in the film that soon started to irritate me.
Also there is no mention of Mary's fears, flaws or insecurities. The struggle is mostly external. It hence establishes her as an angry 'ph'ighter but without an inner conflict this making the story a tad uninspiring.

The good thing is that the popularity of a superstar like Priyanka Chopra will sell draw audiences to theaters, inspire young girls to follow their dreams, put Manipur on the Indian map and sensitize many towards people from the North East and that will be the biggest achievement of the film.

There are a few well written lines by Karan Singh Rathore like; “Pehle medals ke liye zindagi ko dau pe lagao, phir zindagi ke liye medals ko dau pe lagao” highlighting how badly our national sports heroes are treated.

So what’s the final verdict you ask? Is Mary Kom a bad film?
Certainly not, but it isn’t a great film either. I only wish it was less pretentious.

I definitely rooted for Mary Kom but not as much as I did for Kabir and his vanar sena in Chak De India.

This is my weekly movie review for www.masala.com 

Friday, November 29, 2013

Won the Masala! award for the Best RJ and Best TV presenter in the UAE!


After winning the Masala! award in the BEST UAE RJ category, Lekha, the editor at Masala! asked what the award meant to me. I didn't have a quick answer then. I guess I have NOW.

I have never received 321 messages on facebook in a span of four hours ever. When I saw that number, my jaws disowned my mouth and my eyes its sockets. I have never ever felt so loved and so appreciated! All thanks to my awesome awesome job at the world’s BIGGEST BOLLYWOOD radio station- CITY 1016.
Last 24 hours have been a roller coaster in every sense of the word; physically, professionally and emotionally.

Thursday, 28th November was a much awaited day and a long one at that. Much awaited as it was the day when they announced the much anticipated Masala! Awards here in Dubai and I was nominated in two categories- best RJ and best TV presenter.
I woke up early, read up a bit on the movie I had to review- Bullet Raja, rushed to watch the first day first show and straight to work. I drafted the review, quickly posted online, prepared for my radio show, skipped breakfast, lunch and realized it was already 7 pm and I had not had a morsel.
At work we breezily talked about the awards ahead in the day. Tia Singh Khanna, the awesome human being that she is said-
“You truly deserve the award Loki because there is no other RJ who has made a mark in the last few years. The award belongs to you.” It’s this kind of encouragement in the team that makes City the BEST radio station to work at.
My boss sent me a message too wishing me luck and congratulating me on the success of the show and reassuring that we are the best radio station, trying our best, with or without an award. FOR ME, that was the BIGGEST award ever. Fiona Ann Munro- YOU ARE THE SWEETEST EVER!!!
Finishing work I reached home to head straight to the salon; haircut, shave, spike, all checked, I came back home, got ready for the Masala! awards! I was so hungry I could eat a horse. I quickly downed a couple of protein bars and zipped my way to Madinat Jumeirah.

In my exact 7 minutes of drive, my phone buzzed nonstop. Calls and all the best messages poured in like crazy; including a very heartfelt message from Sandeep from Indian High School and Parikshit, an ex RJ on Suno 1024. It’s always so nice to hear from competition. Just goes on to show how comfortable you are in your skin to wish your kin good luck. Parikshit respect bro!

The function started, met a few new people, the radio fraternity, friends from different walks of life. It’s always fun to meet a few people. Lekha the feature editor at a lifestyle magazine, Masala! is a great friend and looked gorgeous in her evening gown, scurried around, organizing things and attending everyone. Manju (the editor at Filmfare Middle east) and Gopika (the music manager at City 1016) were running slightly late and I felt home instantly when they both arrived. Varoin Marwah, an ace designer from Dubai is a gem, always so humble and grounded. He came looking for me, wishing me luck for my nomination. It really touched me how we both have met only at social occasions and how he felt it important to come and wish me personally.
Then there were RJs from Radio Mirchi, sweet and grounded. We all wished each other for the awards and watched the rest of the show.


Then came the time for the big announcement, the moment of truth-
“The Masala for the best Asian RJ goes to”…my heartbeat was running at an express speed, so loud I could almost hear it. I feared my heart would tear the ribcage!

Inhale.

Stop breathing.

“Lokesh XXL from City 1016”

Exhale.

There was an almost black out. I froze for a moment. I was hell hoping to win the award but unsure if I would. I hugged the team and rushed towards the stage, trying to draft an acceptance speech.
There were no mikes available for winners, hence no acceptance speeches. I was adamant. I asked for the mike. They didn’t have. I insisted. They didn’t budge. I was stubborn and resolved not to leave the stage till I spoke. I had many to THANK. I finally got a mike and this is what I said-

“This is my first year that I have been nominated for Masala! awards in Best RJ category and to win it right in the first year makes it even more special. Since this is popular choice award, a big thanks to the rock star listeners of City 1016. I have been in the industry for almost half my life, gosh that makes me sound so old, err…I started pretty early in life, at 12, err 14! But jokes aside I have worked in a lot of radio stations but never seen such loyal listenership. Thanks to all the listeners who voted for me and made me win this award.

Big thank you to my family; mom, dad, bhai, di. Thanks to my family at work. Somantra, the sales head and his rugby team, his sales team, aggressive and so competent.

Marketing mavericks- Mathew, Arpan, Vivek and Reema, love you all.

And the programming team- MY FAMILY in Dubai- Malu, Sid, Karish, Tia, Ro, Megs, tarun, Olly, Sujit, Govind and Gopika and our very round, very pregnant boss- Fiona. You guys make work so much fun!!
Big thanks to Masala as well. Thanks a lot!!”

I celebrated thanks giving for those two minutes, without realizing thanksgiving had just started. Wishes poured in from all sides, phone buzzed incessantly. I tried handling it all; clicking pics with peers and receiving congratulatory messages and missing a hundred calls in between.

Five minutes later they announced the best TV presenter award- City 1016 RJs for City Dil Se. My joys knew no bound. I jumped like a crazy kid. It was a DOUBLE WHAMMY! Two awards in one night, one for radio and the other for our FIRST ever attempt on TV!


Being on TV was a dream come true, winning an award as the best TV presenter was a cherry on the cake.
I came back home and checked my facebook. 321 messages. I was taken aback. I decided to reply to each and every message and comment and post personally (still AM), in between returning all the calls and replying to all messages that I had missed earlier on. It took me a couple of hours. Before I was about to hit the sack at around 3 am, my phone buzzed again. Neil from Radio 4 called up. The genuineness in his voice, the joy in his wishes was overwhelming.  In the meantime Prince from Radio 4 again had commented and congratulated on my picture on facebook where I flaunted my trophy! An award, a victory had brought the fraternity together. It felt so so SO NICE.


Sleep was not an option that night. The phone buzzed every fifteen minutes even at the wee hours of the morning. And then the calls started coming in. Bhai called up at around 6 in the morning. I was OBVIOUSLY awake. I answered and he had got mom and didi on conference from Delhi. The family wished me and we spoke for good half an hour or so. My brother had never sounded SOOO HAPPY. He spoke with an enthusiasm of a five year old. He wanted to catch a flight or have me catch one and be with the family. He is the sweetest brother ever. I had missed dad and mom like crazy at the award function. Mom could have been there, she could bask in the glory, see her son receive his first award ever. She had always dreamt of it. I so wished she was around.

Also spoke to my bestestest friend Neelu who was more excited than me. She hugged me for an hour on skype!! Neeraj and Mona masi called up too from India. I felt so loved and so special. Paran's (a dear friend) message and his call made my day too.

During the day Meliha a very sweet friend (who now works as a news presenter on Radio Mirchi) called up to congratulate. She spoke through her relentless coughing, all genuinely excited. What she said broke my heart. She said-

“There is no one better Loki who deserves this award but you. I screamed so hard when you won that the nominated RJs at Mirchi gave me that-are-you-rooting-for-us-or-him-stare? You are an amazing person Lokesh and God bless you.” I was driving at that time at 140 on Sheikh Zayed road. The emotions or the speed or both would have killed me. And it will be a perfect death- like Keats says in one of his poems- on a high! Meliha, crushing hugs to you (despite your cold that could pass me all your bugs!)


I spent most of the day attending and personally replying to thousands of messages and comments that came from listeners and friends from all over. Friends I have not spoken to in a donkey’s years touched base to congratulate.


This award MEANS so MUCH to me- a childhood dream come true. I had practiced and given so many speeches in chilly January mornings after watching Oscars. I would go on terrace, hold a broom or something and unabashedly thank the world for my award. Masala! is my Oscars in my field, a pat on my back for the hard work on my show (Yes I am shameless to admit I work damn hard on my show), a reminder of listeners’ love and support and most of all a beautiful REUNION.
Reunion of the family back home on the phone.
Reunion of school/college friends who felt proud at my achievement.
Reunion of thousands who listen in to my show everyday. I don’t call them fan, they are my friends on the other side of the mike who show selfless love and deserve my love right back!
And a heartwarming reunion of radio peers. We might be cut throat competitive but humble enough to applaud at others’ victories.


-Touched and MOST HUMBLED!!  

Monday, October 7, 2013

Creepy Ass Two sentences stories


      Thought of some creepy short stories. Here are a few of them-

       #Possessed 
       
       1.  I sensed someone was in the room, either on the couch or in the kitchen. I groped in the darkness, switched on the lights. I didn't see anyone till I asked and suddenly my voice squealed like a woman-
“Who’s there?”

#BornDevil 

2.       She was born all cute. I breast fed her. She didn't suck. She bit. 

#Call

3.  I was stranded on a lonely road at midnight. Tried calling my friends. Damn my phone’s battery had died. And suddenly it rang. 

#Return

4. I cried uncontrollably at her funeral. I updated my facebook- RIP Pooja. She was the first one to like it. 

5. She called up to give the sad news …of her demise.

#EvilGrin 

6.  I was at the art gallery, admiring the portrait of Rajeev Gandhi, feeling sad about his brutal assassination and quipped- ‘that must have been painful.’ He frowned back- ‘Very.’

      #Help

      7. I couldn't find my size in a pile of clothes at 70% sale at a store. I dug my hand into the huge basket of tee shirts, flapped a few around and suddenly found one- a hand passing me on the right size. 
      
      #High
      8. The lift took me to the 54th floor in a building that had 30. 

Saturday, September 21, 2013

Shudh Desi Romance


Been wanting to write about SDR, damn these old lazy complacent bones.
I was excited yet skeptical to watch the film because of a few names.

    a ) Jaidepp Sahni (Chak De India, Khosla ka Ghosla and Rocket Singh fame) {But he had also written Aja Nachle, so I was not very sure. I gave him the benefit of doubt, 3 good films vs 1 bad film, also the big producers must have bullied him to write Aaja Nachle for Madhuri’s comeback.) I was ready to take a chance.

           b) Man’ee’sh Sharma- I hated him initially. On one hormonal day, I travelled from Sharjah to Bur Dubai, spent full hundred dhirams on travel, tickets, cola and popcorn to feast my eyes on Celina Jaitley as she locks lips with Emran Hashmi in Sharma’s (Man’i’sh then) directorial debut- Jawani Deewani, only to see jerkily edited scenes as they were ruthlessly chopped for UAE screening. I could never forgive him for that disaster till he redeemed himself with Band Baja Baraat.
      
           c) Sushant Singh Rajput- I was curious to know how he fared in his second film, as I always feel the second film is your litmus test.

           d) Parineeti Chopra- her repertoire of films shows how versatile she is really. Gutsy bubbly girl in Ladies Vs Ricky Bahl, gutsy bubbly girl in Ishaqzade and guess what- gutsy bubbly girl in Shudh Desi Romance. (I am hoping sarcasm is not wasted here on some people.) In her defense she is quite a natural on screen though.

         e) Vani Kapoor- the leggy lass who lavishly locked lips in her debut, damn the edited screening here in the UAE, yet again, showed promise.

Things that work for me.

                a) Concept- It took almost eight years and many a films for the biggest production house in the country,YRF, to learn that there can be live in relationship stories in the heart of our country too.  We don’t have to travel all the way to Australia to have a doctor girl live in with a restaurateur (read Salaam Namaste). It is such a refreshing change to see the story shift its base from the foreign Blue Mountains to our very own Blue city (ok agreed major parts of the film are shot in the Pink City!)


   Not only the characters seem chilled with the live in relationship, the so called small town conservative Indian society too seems to accept it largely. And that is sheer progress for me- Not the concept of live in relationship but not to be judgmental about it, to accept people as they are and not question their sensibilities, their decisions about marriage and sex is a sign of maturity and evolution for me.

And that brings me to the owner of Goyal caterers in the film and the other performances.

            b) Rishi Kapoor- Goyal could be inwardly shocked and in disagreement about the youth’s idea of love but at no point in the film he seems to preach or judge. He is the cute adorable elderly Rajasthani gentleman who is ready to lend a patient ear to the youngsters, hear them out and finally pack in a quite a punch with his advice in some subtle yet sharp witted dialogues- patloon ka paplu bada nachata hain. Rishi Kapoor has finally started acting (Do dooni chaar, Agneepath, D Day) in his second innings. In his first innings he just wore pastel shade sweaters and danced around trees.

            c) Sushant Singh Rajput- Dibakar Banerkee before signing him up for Vyomkesh Bakshi said “he is the only actor to emerge from the latest crop of stars we have.” I concur completely. Someone who has Irrfan Khan and Nawazudin Siddique as his favorites can barely go wrong. Raghu is your typical small town boy, cheeky confident yet unsure and Sushant plays it with conviction and ease.

           d) Parineeti as always is comfortable in front of the camera and plays her part well.
e
            e) Vani Kapoor – A new actor is usually awkward- (Imran Khan in JTYJN, Ranbir in Sawariyan and Kajol in Bekhudi. It took a DDLJ for her to show her calm, mature side as an actor, in sharp contrast to her rather screaming debut in Bekhudi
New comers are either too chatty/screechy or too shy. Vani is none. She is calm and composed not only in the movie but in her interviews too. She exudes immense confidence for her debut.
   
             f) Music- It’s almost uncomforting for me to admit I like Sachin Jigar as much as I like Amit Trivedi if not mo re. There you go- I said it! ON RECORD!! I never thought I could like anyone as much as Amit Trivedi but Sachin Jigar have convinced me to fall in love with them all OVER AGAIN! They have been pulling out a new trick with every film they do. If char baj gaye in Faltu was your ‘clubby-let’s-go-on-a-drive-with-friends’ song, Saibo in Shor in the City was in sharp contrast, mellow and melodious. Go Goa Gone was trippy and Shudh Desi Romance is deeply rooted in the sounds of the sands. In a line, I am impressed.

             g) Lyrics- Jaideep Sahni has written amazing songs if not the film (Wait I am coming to bad parts of the film soon!) I enjoyed all the songs and loved the use of the word ‘ati random’ for the rather ‘chanchal mann’ of the youth. Encompasses their dilemma pretty effectively.

Things that didn’t work for me-

a)      Story- it’s an interesting story told unconvincingly. I sense the chemistry between characters and understand how hormones lead to attraction, but I don’t see love. There never was in Shudh Desi Romance. At least I never felt.
b)      Humor is difficult to depict. There are different forms of comedy but I like it the most when it’s subtle and situational. The film abounds with many fun moments but get too repetitive. Things are funny when said once or maybe twice, after that they become a yawn-let-me-grab-popcorn in the meantime moments. (refer to the toilet runaway scenes in the film)
In all the film is fun, half baked emotions, lack of a strong storyline yet passable. The film lives upto its title- Shudh Desi Romance, if not love. Teehee. Choose it over sitting idle at home or mindless shopping at a mall!! 

Wednesday, July 17, 2013

Delhi rape case!


There was a very interesting dialogue in Rang De Basanti that has stayed with me and now in retrospect it does make sense.

A politician’s side kick says in the movie- “logo ki yadasht badi kamzor hoti hain sir.”- “people’s memory is usually short lived.”

I am not too sure if it’s short lived memory or the everyday survival but what once seems like a revolution usually fizzles out in months or sometimes even days. Hence the poor old man Anna Hazare almost famished to death yet failed to turn a leaf in law books and what seemed like a revolution for the Delhi girl who was brutally raped and murdered in December turned out to be quite a phuss.

The truth of the matter is, in an everyday run to earn money and survive, these issues that we strongly feel for, stand for, take the back seat, if not forgotten.

Delhi rape case had shaken me inside out for its sheer barbarism. When the world debated and argued and suggested some rather radical solutions, I stayed mum; not because I didn’t have much to say, but because reaching the root cause of so many rape cases in our country seemed more important. I wanted to listen to every argument, soak in every thought, every word, mull it over and finally share what I feel. Before I come to solutions of the problem, let me discuss what really causes the problem. Shocking as it may sound; it is MONEY or our mindsets that we associate power and superiority with money. Isn’t money really the reason that we serve our rich guests with cashew nuts and almonds in silverwares and a glass of water to the not so wealthy ones?

Now before I elaborate on this, I have a question. How would you react if I told my mother/wife/sister-

“Aapki jagah kitchen mein hain, tum wahi achi lagti ho.”- “Your place is in the kitchen, that’s where you belong!”

One would be quick to judge me as a male chauvinist pig, who looks down upon women and doesn’t respect them.

Wonder how many of you would have the same reaction if I told my father/brother-

“Aap kamate huye hi ache lagte ho, ghar pe naa baitha karo.”- “You look better when you are out, earning. Don’t stay at home.” It will be never be perceived as a sexist comment instead one receives it with pride and honor.

It is sadly the power that comes with money that makes going out and earning far cooler than staying at home and cooking. The person who goes out, earns money is always considered far superior than the one who stays at home. Hence we have conveniently overlooked the importance of women who build a home, run a home and most importantly shape their kids’ lives, make (or could break) the country’s future.

 Right after the Delhi rape case, there were news channels that reported rather quote unquote progressive news of how a woman in Chennai is riding a bike and showing all men that women are no less. How on earth has riding a bike become a symbol of ‘progression’ and ‘equality’? Why does a woman have to ride and bike and show she is equal. Why can’t she be in the kitchen and cook daal chawal and yet be equal?

There were also reports of a bunch of young men in Bangalore who slipped into skirts to show their solidarity to the Delhi rape girl. Are you serious? It is this triviality of the issue that makes my blood boil and how stupidly we belittle the problem at hand.

Over a period of time, men have been the bread earner and women looked after the home. And since we associate so much of importance to money, equate it with power, men by default became the higher species in the relationship.  So women dress like men, ride a bike, take up a job, start earning, talk about gadgets and (excuse me saying this)- do things that are usually considered men like, to show they are equals and are not lagging behind in any way. On the contrary shouldn’t we thank the women in our lives for bringing us up, for feeding us day in and out (including weekends), for running household errands, from bills to laundry to cleanliness, to kids’ homework, to every little thing that helps us go out and earn a livelihood?

I stay with my mom and not even once I think I am doing her a favor or any better than her because I earn. Just like how I think she is not doing me any favor by ironing my clothes or preparing me breakfast, lunch or dinner. These are jobs divided between two individuals to run our lives smoothly. A sense of respect for what the other person does is all we need to strike a balance. Alas the reality is a far different story. Women have to go out, earn and struggle to be EQUALS and men who prefer to stay at home and look after kids are downright pansy/unmanly/gays/losers.

It’s this fuddy-duddy mindset, this conservative thinking that has coined such sexist phrases, such gender biased stereotypes-

-          “Arey tumne kya haath mein chudiya pehan rakhi hain.”

-          “Tu kya ladki ke tarah Sharma raha hain.”

-          “Haathon mein mehndi lagi hain kya?”

 
Or the worst of all when an old man/woman proudly says- “Humari toh ladki nahi ladka hain!” I feel like slapping such people and telling them to STOP calling your girl a boy; that’s showing NO respect, instead deriding her, ridiculing her.

And because we EARN, bring home bundles of CASH, we become far higher than women who “stay at home and do nothing”. And since we are higher, we can treat these lesser mortals any which way we like. We can stop them in a bus, catch them by the road side, attack a young girl, assault her in the most heinous way, and shove an iron rod up her vagina and leave her by the roadside to die.

Still shaken and seething!!!

Friday, July 12, 2013

Bhag Milkha Bhag review!


Things I like about Bhag Milkha Bhag-

1.       Cinematography- instagramish, monochromatic shots of old Punjab- mesmerizing!

2.       Screenplay- love the juxtaposition of 1960, 1947 and years in between.

3.       Farhan’s expressions, body language

4.       Milkha-Isri (his sister’s) relationship

5.       Pawan Malhotra’s and Divya Dutta’s acting

6.       Sonam’s beauty

7.       Dialogues

8.       Love how Prasoon Joshi has internalized Milkha’s story and hence fictionalized it too!

Things I didn’t like about BMB-

1.       The partition should have been the focus of the film, alas it is not, hence it doesn’t manage to bring out the anguish effectively.

2.       Farhan’s speech- Saying ‘yaara-dildara’ doesn’t make you a Sikh boy. I could hear a South Bombay Farhan in Milkha Singh. (Where Irfan Khan who played an athlete in Paan Singh Tomar was so one with the character!)

3.       The length of the film. Be indulgent for your personal screening, for us, CUT THE DAMN THING SHORT! I could easily cut Sonam Kapoor’s episode, ghee gulping scene, training scenes and much more from the film.

 

Saturday, April 20, 2013

My 'so called' TV struggle


I am superlative emotional right now. For as long as I can remember I wanted to be on TV. I still remember I must have been four or five. Our landlords in Delhi had a friend who was remotely connected with the film/TV industry. I don’t remember his name. We used to call him Hero uncle. He had once come to our house and suggested I should be on TV. Not because I was a ‘cute’ kid. Far from. Because I guess I was a performer even then. Like all moms pushy, my mom had proudly exhibited my singing, dancing, drawing, painting and all kinds of talents in front of the ‘hero’ uncle and impressed the living daylights out of him.

Sometimes dreams come true when you stop chasing them. After trying at every vague opportunity to romance the camera, I had given up. Not really given up but made peace with it. I am an extremely practical guy. I had set 2010 as my deadline. I had resolved I would give my best till 2010 and let destiny take over post that. And boy I tried very hard. But when nothing materialized, it hurt a bit for sure, ok who I am kidding, it hurt a lot but I decided to move on in life and shifted my base to Dubai and joined a radio station here. In fact a month prior to taking up my job at City 1016 (the radio station I work for in Dubai) I had gone to Mumbai to try for one last time and met people at MTV, Zoom and various other channels. All of them told me to stick around; stay in Mumbai for 6 months and something would come up. It was a gamble and the safest guy in me wasn’t quite ready to play.

So here I was in Dubai, happily shooting my mouth off on radio, dear TV dreams long forgotten, that my radio station runs into a deal with a TV channel and a radio station goes visual. Yep it sneaked up on me when I least expected. It was like running into an old flame, with the same passion.

And now when the first episode will go on air this Saturday, my struggle to be on TV runs in a flash, like a show reel, few of I which I remember so distinctly.

My first audition was at one of the news channels. I was 19 then, in first year of college. I saw a bunch of nervous wrecks at the audition. I walked around like cat whiskers. Cool, calm, composed!! You are most confident in your teens I feel. At least I was. My name was called out. I went into a room where I didn’t see anyone, just heard voices, voices that talked to me and voices that talked to each other. I adjusted the lapel mike on my shirt and looked in between the camera and the auto cue. A voice instructed me then-

“Say something.”

“Something.”  My baritone voice boomed.

“Hahahaha..funny!! No as in give your levels.” The voice said. I also heard a faint female voice whisper in the background- ‘he is funny, cute and sounds so hot!’ That boosted my confidence. The rest of it was easy as a cake. I was confident I had cracked it. Alas! It was against company’s policies to take under graduates.

Then there were auditions at DD sports for a show called ‘Crossing the line’. I shot a couple of episodes, mouthing tongue twister of names that I neither could understand, nor phonetically articulate. I was paid a handsome amount. For the next three weeks DD sports had the highest TRP; the only time that had any TRPs. My friends and family assiduously watched it every evening sharp at 8, with cola, popcorn everything arranged. The episodes were never aired. 

And then there was this audition in the interiors of UP, a small village off ‘Noida.’ The word is ‘ghetto’. I was working for a radio station then, got a call from someone who told me a news channel in UP was hiring. I didn’t have a vehicle then. I took the metro, got down at the station and hailed an auto. The rickety rickshaw ride had me at the mouth of a filthy, narrow lane. The autowala refused to go in, so I walked, tip toeing around cow dung, slush and general rubbish. A stray dog stretched in the distance and a stay cow looked at me curiously. I reached the end of the lane, outside a dilapidated building, about to crumble any moment. It was more like a house, with a verandah that had a rusted iron gate that creaked the moment I pushed it. Three cycles and two scooters were parked in the porch and a cooler grumbled in one corner. A man sat at the table chair planted in the middle of the verandah. A table fan pretended to run. He looked up and shoved a register in my face. Before I could ask anything, he mumbled through his pan chewing teeth and drool –

“Fill up your details in the register and take the stairs for the audition room.”

The audition room was dark and dingy. A tube light hung loose on the wall. It flickered aching to come to life. There were ten to twelve odd people waiting for their turn. A man came and handed me the daily newspaper. He said like he had by hearted the line-

“Read the headlines, prepare your news and you have exactly 20 minutes.”

I saw a man with a hand held camera in the corner of the room. He shot all the candidates. I wondered if it was for real.  I didn’t judge. I auditioned. The results came almost instantly. Not at the cost of sounding too brash, I was the best they had auditioned in a million. They told me I would read the morning bulletin for a local cable news channel in Ghaziabad and be paid 15 thousand rupees every month. The funniest bit was that they said it with a sense of arrogance, like doing me a favor. It was a choice between my awesome job at radio that paid me five times more or reading news on ‘Tez news’, badlav ki lehar. It didn’t take me a second to decide. I looked at their smug, haughty faces and humbly declined the offer. Their jaws kissed the floor and I kissed another TV opportunity good bye.  

Once I had even travelled the lengths and breaths of Delhi to land in some godforsaken place in some remote part of Gurgaon. It took me 2 bus rides, one sharing cab, one cycle rickshaw ride and two hours to reach that place. The production house was in the basement of a house. I had no idea what shows they produced. Clueless I walked in and met the person concerned. He gave me a three page print out, asked me to get the gist of it.

“No worries, say it in your own words. We believe in being natural, so don’t be afraid, you can improvise.” He winked at me. Except how much could you really extemporize while explaining the functions of a Photostat machine? The script gave me a headache. “Electrograph, semi conductor, high voltage wire…” my head span! Yet I didn’t give up. I badly wanted to be on TV, even if it meant explaining how a photocopier worked on a channel called TOPPER. Dah!

Then there were some serious auditions at serious entertainment channels that very seriously rejected me.

Like NDTV good times.

I was doing the breakfast show on a popular radio station. I was quite a name to reckon with in the industry. Fuck that came out pretty immodest. I once spoke to the head of programming at NDTV good times and she asked me to come and audition.

It was a Saturday. I couldn’t sleep the whole night. I went up on the terrace and practiced my lines, rehearsed for a couple of shows; bollywood, lifestyle. I didn’t sleep a wink. I left for my radio show at 5 with a stupid grin on my face, thinking how I was just a few hours away from living my dream. I was very hopeful. After finishing my day at work, I reached NDTV’s office in Okhla sharp at 12. The office was almost empty. They had a five day week. I already loved ‘my’ new company. The Nepali officer at the reception asked me to wait for 5 minutes. No one attended me for almost 45 minutes. I called the Programming head up and finally a girl in typical NDTV attire; striped kurta, jeans, black rimmed glasses and floaters appeared from the glass door.

“Today is a bad day. The auditions can’t happen.” She was rude and distant. I could almost hear her say-

I hate this office, had a date with my boyfriend today, my boss is an arse and I have to work on a fucking Saturday…go hide your I-want-to-be-on-TV-face somewhere.

I was not ready to give up so easily. I hadn’t prepared all night long and travel to the other side of the world to hear this. She asked me to wait. And so I did. For EIGHT long hours.

Every half an hour I was told how they had only two camera people that day, one of them had fallen ill, and the other one had gone to shoot Deepika Padukone at the Oberoi hotel. The rude girl suggested me to go back at regular intervals but I didn’t budge. She finally melted and gave me a computer to surf on and a cup of tea. I youtubed songs, checked my mails, chatted with friends and whiled away my time.

I was sleepy, droopy and all things fatigued. I went on the terrace of their office, drank in the Okhla greenery and repeatedly practiced my script.

The camera man finally arrived. At EIGHT FUCKING PM. He was more pissed than the rude girl. My auditions meant more work for him on the weekend. He looked at the rude-girl-who-finally-melted and said-

“This (my audition) wasn’t even scheduled.”

Fuck it was. Talk to your fucking programming head, you retards. If there is someone who should flip his lid, it should be me, you grumblers. I thought.

“I told him to postpone.” She defended pointing towards me.

He looked at me from tip to toe, like most Delhiites do, gave me a disapproving look and almost sniggered. I didn’t react. He took ten minutes to set the frame and I was asked to shoot.

In that domineering, so oppressive air, fighting those patronizing smirks, I auditioned. Barring a few fumbles, I did pretty well. Three days later I heard the politest no in so many words-

“We are looking for a more mature face; you know that’s what ‘Good times’ is all about. You have a face for MTV or a Channel V, very young, very college. You would make a perfect fit there. We are sorry.”

Ironically three months later I went to audition for NDTV Good times’ youth show called Cool Q and they didn’t even let me test because I was 26 and the age cut off was only 25. And the TV dream eluded me one more time.

And then there was my visit to Mumbai when I met people at Zoom. Before flying to Mumbai, I spoke to their head called Vishnu. He is a thorough gentleman, a professional except he doesn’t easily answer his phone. But he would treat you like human beings and speak to you politely. He had set a date for me when I could go and audition. Also he had asked me to carry a show reel for uncalled for circumstances. So I landed at Zoom’s office in Mumbai. Vishnu had to rush for a meeting so he fixed my meeting with a chick called Roma who could redefine ‘being late’. If she was a period, no one would ever pregnant. She reported to work hours later I had reached their office, with NO APOLOGIES. She met the likes of me on a daily basis and tried her best to avert the audition.

“The studio is not available today.” She informed.

I gave her my show reel on a pen drive that she tried transferring on her computer but in vain. Some format incompatibility or some technical glitch that was beyond me. She asked me to reshoot myself and drop the CD. She was mad. She didn’t know what she was saying. She expected me to hire a studio, a camera person, and a camera, prepare a script, shoot the video, edit it and burn it on a CD and drop it at their office all in span of 2 hours.

I called Vishnu up. Ofcourse he didn’t answer. I tried frantically and pretty pointlessly too. Droopy shouldered I walked out. I had no clue what to do. I hit the Lower Parel market for some help, went to the Kodak photo studios, and asked them if they could burn my show reel on a CD but the file had gone corrupt. So Roma wasn’t really bullshitting. That meant a reshoot. HOW ON EARTH? I checked my bag and fished out my tourist camera. Not a professional one, but what the heck? It was time for some adventure

I kid you not. I actually explored the market area for a quiet spot in some corner. I actually stopped random people, people who were getting late to work/college/class/meeting to hold the camera and shoot me. Most of them declined. A couple of them who indulged me were so bad that it almost cracked me up; tight close ups, tilted shots, shaky shots, you name it and I had it. Finally a young college lad showed enthusiasm and we shot against a building under construction. It was a superb frame. Except we had to shoot a thousand times, every time a BEST bus honked by or a stray dog decided to bark or a nearby temple bells went berserk. And mind you I didn’t have the luxury of an edit, so I had to shoot everything in ONE GO!

After almost three hours, I finally had my show reel ready. I went to the same KODAK studio and got it burnt on a CD and made many copies. Right then my phone buzzed. It was Vishnu. He returned the call. I told him how Roma was acting pricey and said the studio wasn’t available for the audition. He lost it. He said he would get back in 5 and so he did with the good news- the studio was ready. I had to report in half an hour for my auditions. Dah. SO MUCH FOR MAKING A NEW SHOW REEL!!!

I auditioned and two weeks later I flew to goldener pastures- Dubai. I would like to believe they liked my auditions, called me up on my deactivated Delhi number and never got through. And yes I am very conveniently ruling out the possibility of tracing me down on facebook or gmail. I would rather believe I was way too good for them. Actually it doesn’t even matter now. It was never meant to happen then.

What matters NOW is my first TV show, my segment- The DVD store where I talk about movies, 13 movies that I watched, observed, made notes, researched and now tell you why you should watch them on a DVD if you missed it on the big screen.

All my life, I had shared my TV dreams with most of the people I got in touch with, thinking if I put it out in the universe it would come back to me. It has, now, so beautifully. Like the famous poem goes-

Success is counted sweetest
By those who never succeed.
To comprehend a nectar
Requires sorest need!

Friday, February 15, 2013

Dubaized


I am almost scared to admit that I have been dubaized. Today one of my school friends asked me if I had any plans to shift back in India and my instant reply was ‘no’. Dubai has spoiled me. No matter how much I long for Delhi street food, friends, family and romanticize my country’s potholes, filth even mosquitoes, deep down I know I like Dubai, I love the place. It’s cleaner, less chaotic and far more convenient. I complain a lot about Dubai’s flaws, lack of street food, lack of culture, intellectual stimulation and blah blah…but what it has offered me in last three years can’t go unnoticed. In Delhi I was just a voice in the background. I was never spotted on the roads. I was anonymous and honestly I liked it that way. Despite some fifty odd hoardings that went up on Delhi roads, screaming loud and clear to catch my new show on a local radio station, I didn’t have anyone come up to me and say…’hey you are RJ Lokesh right?’ ok it happened twice, maybe thrice…but in a span of 3 years of being on air in Delhi. In Dubai the score is thrice practically every day. Not at the cost of sounding too narcissist, it’s flattering when people spot you on the road or give you that –I-have-seen-you-somewhere smile/look. It doesn’t happen with RJs for sure. Dubai has made that happen for me. And then there is my car. I am not a car person, I admit. I could be bloody well driving a Toyota or Civic or a Lamborghini, I promise I couldn’t care less. I am more of a passenger than a driver. I would anyday be driven around than be asked to play the designated driver. Yet I bought one of the costliest, fanciest cars in the market- Audi A5, convertible. And I admit, every time the top goes down and the speedometer hits 100 in the third second, my heart misses a beat and swells with pride. No I am not saying, the car makes anyone look cool. I admit it’s always the other way round. Yet it feels great (even if it means momentary) to own such hot wheels and a even hotter body!! The always air conditioned indoors, the malls that spoil you with choice, the varieties, that familiar look by the hot chick walking down the road, that young lady who spots me in Meena Bazar and excitedly asks for a quick pic, the every weekend shopping, the cupboards packed with clothes and shoes, the lazing around in my house’s balcony that looks over the ocean, the comforts…yes the material pursuits, the perishable comforts have made me fall in love with the city! Fuck how shallow I could be, I wonder!

Wednesday, October 3, 2012


Of lazy days and foggy eves Of misty mornings on desetred streets Of alarm snooze and non stop sneeze Of early sunsets on barren trees Of milder suns and piercing breeze Of peeling 'skin and orangees' Of cold creams and petroleum jellies Ah! How much I miss "Winter Delhi's"

Burrrrrr

The golden rods Of an angry heater Flickering fainting Almost Dying Warming the room’s volume Reluctant eyes Lead heavy Bargaining for five minutes Laden with dreams and rheum The day wakes up late, The Sun snoozes Eclipsed by clouds- The foggy shroud! The unbathed people Smelling of flavored perfumes The weak sighted head lights The halogen glasses on high beam In the cavern of my mouth The stalagmites of gritting teeth gleam The angry needles In mom’s magical hands Fight to knit some love Turn colorful woolen balls In pretty designs…a cat, a dog or dove The sun retires too early Devoured by the dark sky’s yawn Deserted streets Frozen feet The eerie wintry silence Broken by the clock Tick tock, tick tock, tick tock Buried under a blanket On a cold bed Bit of brandy and Vaseline Without wait Shut my eyes gate To gather some wintry dreams!

Saturday, July 28, 2012

What we men want...the lit-slut test in Cocktail!

So when the world is singing peaens to Cocktail, I have my bones to give to the makers. Cliches abound in this film as well. It’s almost ironic the makers show Veronica so forward, drinking, making merry, clubbing, dating multiple men and sundry, they sadly are so conservative in their mindsets. In this happy façade of making so called progressive films (which means shooting in pubs and bars for most Indian film makers or force a string of abuses, crass language) some clichés still haunt our sensibilities. I will come to the point straight away. In Hindi films, heroes don’t fall for anyone who is a tomboy (Kuch Kuch Hota hain), fun to hang out with (Dil toh Pagal hain) or a wild child in Cocktail. So unless a Kajol slips into a saree and smears her eyes with kohl and adorns her hands with bangles, a SRK wouldn’t give her a second look. Saif Ali Khan sleeps with Deepika, keeps crooning how he doesn’t want to play the husband and enjoy his bachelorhood all lifelong and ends up falling for the desi girl who prays, cooks and picks dirty clothes from the floor. Finally Deepika has to cook lamb biryani and that something with yogurt (raita) and prays every morning and get into a salwar kameez to score with Saif and his mom. Almost like a litmus (or shall I say lit-slut test to turn from a slut into a Savitri). It’s appalling how her character is subtly labeled as a slut or else why would’t a Gautam get married to her. Coz we don’t marry morally inferior girls in Hindi films. Isn’t that regressive? Men do love independent women who don’t subscribe to the set parts played by spouses in a marriage. They not just date them and end up marrying the good old Indian bahu. I am almost aghast to see such a conformist orthodox movie coming from someone who gave me immense hopes after Being Cyrus and (Socha na tha).

Friday, July 13, 2012

Cocktail review

I have always been a big Imtiaz fan. I totally loved Socha na tha (my fav till date) and Jab we met. At one point I could watch any film that has any remote connection with Imtiaz. Hence I even survived the snail paced Ahista Ahista where he had done the screenplay. Imtiaz’s forte is relationships, romcoms and I dig such movies. Give me a light hearted comedy over any science fiction or superhero film. Off late Imtiaz had disappointed me a bit. Rockstar was such a disaster dude. Cocktail is fun and passable. There are a lot of things I like in the film. The dialogues are conversation, the film speaks my language and some of the scenes, and situations are fun, candid and dealt as is. For the first time in a love triangle we have the hero sit down the two ladies and talk about the triangular equation. See you love me, I love her, I said it. Brilliant scene. The scene where Deepika breaks down in the club and accuses Diana is brilliant again. Deepika is smoldering hot. Her smile is worth a million bucks. And she has acted well in the film. She has carried off drunken emotional scenes pretty well. Maybe she should always be drunk in all her films to deliver well as an actor. Stereotypes abound in Cocktail too. The problem with Indian film makers is that we can’t paint real characters. We still can’t accept a free willed woman who drinks, parties and dates men and hence the need to justify it with uncaring rich parents who don’t play, just pay and are never seen in the film. Such a done to death formula to evoke sympathy for the character I feel. Another cliché we follow is our location. Every time we have a love triangle, extra marital affairs, live in couples or wild child characters or something, we transport everyone to the west. Australia in Salam Namaste, New York in Kabhi Alvida Na kehna and (I don’t know which exotic country) in Cocktail. What, we don’t have live in couples or divorces or extra marital affairs in India? Also I find it amusing to find dialogues like- tumne us apartment ko ghar bana diya hain. Dah. It’s interesting to see how Saif’s botoxed face can still move muscles and emote. But how long can we see such happy go lucky characters in movies. Characters that stop random people at airports, act too familiar, flirt and are always happy. Characters that have a job but never seen working, characters wearing designer clothes, always making merry. I hate happy characters. Over familiar characters. I hate too much of pseudo happiness in films. Diana is breath of fresh air. She is beautiful and acts well. Long way to go but passable. Above average rather. Dimple played her part so well. The age though shows. The soundtrack is superb but way too many songs. Films that break into a song every fifteen minutes should be banned. It’s strange we haven’t yet found out which Korean/Russian songs Pritam have flicked his brilliant tunes from for Cocktail. Cocktail could have been a great film if they managed the length of the film well. Cut the melodrama dude. Come to the point faster. The film is long but deal able. One time watch I feel.

Sunday, July 1, 2012

Overwhelmed

When I think of RD Burman I think of his music brilliance, his compositions, the singers he was associated with and mostly everything belonging to the golden era. I could never fathom in my wildest of dreams that someone born in late thirties could affect the musical choices of someone born in 2008. Separated not only by time and distance but also by different cultures, upbringing, socio-economic backgrounds and a thousand other things, the only thing that untied Pancham da with the four year old Aanya was his timeless music. 27th June- RD Burman’s birth anniversary. When the rest of the radio stations across the world tomtommed about, quote unquote the never heard trivia on RD Burman or touched base with musicians of the yesteryears to know a thing or two about the great music director, I turned the game all around by having the YOUNGEST Burman fan Aanya, all of four years old who could recognize Pancha Da compositions from the back of her frigging hand. To have a four year old sing ‘roz roz aankhon tale’ was a brilliant idea to break the monotony of Pancham da’s birthday celebrations. I was in the gym that it occurred to me that I should call my colleague John who once told me that his younger daughter was a huge Burman fan. He was a bit skeptical. Aanya is an unpredictable, moody child who has a mind of her own and would not talk if she doesn’t feel like. I assured him I was good with kids and it was my job to get the best out of her without much realizing what I was getting into. Aanya came to the office just before my show. Seeing too many people around overwhelmed her. She wore a colorful frock with pink sandals, carried a notepad with her and her hair was uncombed and every time anyone tried talking to her, she hid behind her father’s legs looking for protection. Gosh it was difficult to break ice with her. Ice creams, chips, chocolates, nothing worked with her. John and I walked her around the office to give her a sense of familiarity and make her feel home. It was getting close to my show and we hadn’t even exchanged our friendly hellos. I saw the notebook in her hand. I fished out a pen from my pocket and we both sat in the middle of the corridor, oblivion to the people passing by. She started doodling and she was bloody good at it. She made a couple of faces and instantly pointed out ‘eyes’ ‘ears’ and ‘lips’ when asked. I then drew a rough sketch of her on the notepad. Her eyes lit up the moment she recognized her face. She looked up, smiled at me and said pointing at the sketch- Aanya. That was the moment. We became friends. I escorted her to the studio. The song was about to end and I had good four minutes to prepare her. I told her I would ask her to sing the birthday song for RD Burman and a couple of his songs and she happily nodded to everything. She even told me she would sing ‘Dum maro Dum.’ The song ended. I pushed the faders up, switched on our mikes, introduced her and asked her to sing the birthday song. She twitched her lips, blinked her eyes, gave me a sheepish smile and said “Let’s play the cooking game.” I had no clue where that came from. The smart ass RJ in me said ‘pehle gana phir khana’ but she wasn’t willing to comply. She was too cute to be denied of her innocent demand. And hence we started cooking biryani on air. My hands formed the cooking gas and her rather creative ingredients were chocolate, sugar and salt. She then put the dish in the oven and when baked enough, she suggested we licked it. My heart tickled all pink at the cute, adorable attempt at cooking chocolate biryani, the one that we couldn’t eat but only lick. Aanya had opened up and how. She mentioned Chammak Challo when I asked her for favorite RD song. She complained how hot it was outside, talked about the ‘sleeping’ animals she saw in the zoo and black cows in the farm house the other day. “Do animals sing too” was my desperate attempt to bring her back on track and thankfully she said yes. I hit the jackpot there. I asked her which song cows would sing on RD’s birth anniversary and she happily started singing happy birthday to you RD B-r-u-m-a-n in her most endearing voice. That set the ball rolling. She sang Dum maro Dum and lakdi ki kathi. I played five seconds of RD’s tunes and she recognized them in a jiffy. My heart almost broke into a million pieces when I heard the youngest, cutest, almost lisp rendition of ‘roz roz aankhone tale.’ It was a jaw dropping moment for me to see a FOUR year old sing such an unfamiliar, rather somber tune of RD- his biggest achievement indeed.

Saturday, May 5, 2012

Arjun Kapoor and Parineeti Chopra

In my almost two decades of radio career (f*ck I am old), I have interviewed celebs of all kinds, good, bad, ugly, tantrum throwing, over friendly, superstars, shooting stars, even the dust. I have enjoyed some interviews thoroughly and slept through the rest but it’s always fun meeting celebs, asking them questions, trying to break through the cool façade they shield their real selves with and finally managing a candid moment or two. I didn’t have to try much with Parineeti Chopra. She stands in sharp contrast to her uptight, boring, always politically correct but hot and sexy superstar cousin Priyanka Chopra. Parineeti is a breath of fresh air in an industry which is all about ‘it was great working with him’ ‘he is such a professional actor’ ‘if the script demands’ blah. Even when she is giving some safe answers, she either apologized for doing so or admitted she was sounding profusely boring. Whenever I interview anyone, I look for some fun, light-hearted, some shocking, some never before moments that I call promo worthy moments (that can run in the promos of my show) but most of all, I look for honesty. You can be the dullest human being on the face of this Earth, bore me to death with your yawn worthy answers, but if you serve it with any amounts of genuineness, I would have respect for you. Parineeti lived up to my expectation. She was as candid as it gets. Full respect. And immense respect for the man who lost his mom just before the release of his first film and here he is talking about his film, his once scale breaking weight, his likes, dislikes and facing adulation, speculation and all that in between with a smile. Arjun Kapoor was very unlike Parineeti. He was somber, to the point and very economical with his words hardly leaving me with any promo worthy moments, but he was honest in all his answers. Genuine and Forthright. I love Shakespeares. If you are glib, can juggle with words, convey your thoughts articulately, I fall for you. At one point in time I used to mistake them as intelligent. Not any longer. Arjun Kapoor is cogent with his words and intelligent too. The man speaks fast and thinks faster, has a sense of humor too. Alas! I couldn’t get enough of it on the phone though. Ishaqzade releases on 11th May. I will watch it not only for two of them who gave me brilliant interviews but also for the man who made one of the best films in 2010, Do Doni Char. I want to see what magic Habib Faisal weaves this time in Ishaqzade.

Sunday, April 1, 2012

Singing the unsung...

Amidst a thousand award functions that can be easily replaced with each other, Filmfare Awards 2011-2012 had one heart wrenching moment when Utha Uthup came to receive her first Filmfare in her 42 years of singing career. She had tears in her eyes and that broke my heart. Such a candid, heartfelt moment was that!

Every decade had seen a couple of singers ruling the roost in our film industry. Be it Lata and Asha in sixties and seventies or Alka and Kavita in eighties or Sunidhi and Shreya in nineties. Thank god for new filmmakers, new cinematic sensibilities and the era of experimentation. We have clearly moved on from ‘awesome singers’ to ‘awesome songs’. With films based on characters and situations, it has opened a world of opportunities for singers who were once told –you-are-not-a-hero’s-voice.

Neeraj Shridhar who at one point in time was too anglicised for our desi heroes has now a song in practically every album lending his voice to every Khan, Kapoor or a Kumar that there is! Mika and Mohit Chauhan who made money only during college festivals, hopping from college to another singing their ONE HIT and making hay till the sun lasted have now a myriad of experimental albums to their credit.

And the most heartbreaking of all- Usha Uthup. I have been a huge fan of Usha ji. Be it tu mujhe jaan se bhi pyara hain or hari om hari, hari om hari, I have grown up listening to her. And now when I play her songs ‘daaaaaaarling’ from Saat Khoon maaf or ‘kolkattttttaaaaa’ from Kahaani on my radio show, there’s extra excitement in my voice, a divine intervention, a poetic justice. Imagine recognition eludes you for forty long years; you don’t give up; you continue doing what you can do the best; in hapless hope of some pat on the back sometime; and one fine day you hear your name announced as the best singer of the year, the moment that only sweet dreams were made of four for decades, dawns now, leaving you totally choked. What a tear-jerker!

Saturday, November 12, 2011

Facebook

Facebook has altered my daily routine. The first thing I do waking up every morning is brush my teeth. Facebook has replaced my toothpaste now. It’s an addiction. I wake up to see how many comments on my update, how many likes on my picture, how many comments and generally what the world is up to.

In the days of yore, my idea of fun was bean bags, cups of chai, namkeen or matthi and being with like minded, trust worthy people I called friends. With facebook, even the meaning of friends has changed. People I might not even know reflect in my friend list.

When was the last that we went out on a picnic, watched a movie with friends, lounged at a cafe, played a game of cards or badminton and NOT facebooked about it??
Enter any get together/party/event, most of the people in the room would either be BBMing or updating about their whereabouts, uploading pictures or just telling the world how much ‘fun’ they are having in life. Trust me in this mad race of telling the world about our ‘fun’ times, we actually miss out on the real fun.

We were at a concert the other day. Mohit Chauhan was performing. I have a vivid picture of the stage, the lights, the sound, how Mohit almost tripped over the wires, and how the guitarist just posed and played his part. My friend doesn’t remember any bit. He was busy shooting videos and taking pictures and updating ‘how much fun’ he had at the concert. I fail to understand how one can have fun if you are constantly on the phone. You have to drink in the moment, absorb all that surrounds you, see, hear, feel...only if you lift your face from that godforsaken phone of yours. I guess it’s the virtual peer pressure, the need to tell the world the ‘cool’ things you are doing, the ‘cool’ places you are at and the ‘cool’ people you are meeting.

It’s because of the same peer pressure that I overheard someone complain how badly she wanted to go shopping. Back in the day you wouldn’t repeat a dress in the same circle of friends but could easily wear it elsewhere. Now you CAN NOT repeat a dress, period. Everyone has checked all your clothes in your innumerable facebook albums.

And then there are funny rules to the game. Your popularity is directly proportional to the number of likes you have got on your update or the number of comments on your picture. My cousin and I almost picked a fight coz we chose not to comment on each others’ pictures or comments. Yes this is called virtual ignoring. And this is no exaggeration when I say that couples have broken up because one didn’t comment or like the other’s update or picture.

So you know your quote friend unquote has got married not because you received the invitation card or attended his/her wedding, but because the relationship status changed from being single to married.

In fact a month ago when Delhi was hit by an earthquake, people tweeted and facebooked about it instead of running out of the house. The need of being the first one to break it first might even cost us our lives.
On a lighter note, I read something funny ironically on facebook. A newly married guy updated- suhag raat hain, ghoongat utha raha hoon main. Heights!!